Category:Culture: Difference between revisions
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'''This section is under construction and is dedicated to the emergence of a [[Free Culture]] and a [[Free Culture Movement]] defending the necessary rights to achieve and maintain such a free culture. | |||
=Key Conferences= | |||
#[[Free Culture between Commons and Markets]]: Approaching the Hybrid Economy? October 8-9, 2010 at the Free University Campus in Berlin, | |||
Revision as of 13:22, 29 April 2010
This section is under construction and is dedicated to the emergence of a Free Culture and a Free Culture Movement defending the necessary rights to achieve and maintain such a free culture.
Key Conferences
- Free Culture between Commons and Markets: Approaching the Hybrid Economy? October 8-9, 2010 at the Free University Campus in Berlin,
Pages in category "Culture"
The following 200 pages are in this category, out of 596 total.
(previous page) (next page)A
- A2K Access to Knowledge
- Access to Knowledge
- Access To Knowledge
- Accidental Influential
- Action Plan for Copyright Reform and Culture in the XXIst Century
- Active Blogosphere
- Aesthetic Commons
- Alan Moore on How Communities Change How We Create Culture
- Alexandria
- Algorithmic Authority
- Algorithmic Culture
- Amacca
- Amateur Cultural Production and Peer-to-Peer Learning
- Amateur Hour Conference Video Transcripts
- American Romanian Academy of Arts and Sciences
- Amy Barker on Literary Mash-Ups
- Andres Monroy-Hernandez on Designing for Remixing
- Andrew Whelan on P2P's Impact on the Music Industry
- Anthropological Analysis of Civic Experimentation with Free Culture in the City
- Anthropological Introduction To Youtube
- Anthropological Trompe l’Oeil for a Common World
- Anti-Oedipal Collective Psychology
- Anupam Chander on the Electronic Silk Road
- Appropriate Commercial Custodianship of IP by Third Parties in Free Culture Age
- Appropriation and Annotation Literacy
- Are Netlabels Long Tail Niches or the Blueprint for the Future
- Art, Music and Literature in the Age of Digital Reproducibility
- Artistic Co-Creation as a Decentralized Method of Peer Empowerment in Today’s Multitude
- Artistic Constitutions of the Common City
- Artistic Freedom Voucher
- Artistic Freedom Vouchers
- Arts, Culture and Commoning Working Group - USA
- Asilo
- Assemblage Culture
- Association for the Creation of Open Culture and Workshop Houses - Austria
- Audience 2.0
- Audience Commodity
- Author Pay Model in Open Access Publishing
- Authoring Society
- Authorship Society
- Axel Bruns on Communal Publishing
B
- Bandcamp
- Barcelona Creative Commons Film Festival
- Barefoot into Cyberspace
- Bastard Culture
- Battle Between the Cultural Evolutionists and the Cultural Relativists
- Bertram Niessen
- Beta Business Models in the New World
- Bibliography of Remix Culture and Music
- Biography of Tzvetan Todorov
- Bonni Rambatan
- Book Commons
- Book Sprint
- Borrowing Culture in the Remix Age
- Bot Club
- Bram Cohen on Cultural Industries in the Age of Digital Reproduction
- Brazil as Free Culture Nation
- Brazil's Digital Culture
- Brazilian System for the Solidarity Culture
- Brendan Graham Dempsey on the Cultural Complexity Index
- Bret Weinstein on Navigating the Culture War
- Brian Alleyne on the Platform Wars and the Enemy in Geek and Hacker Culture
- Brian Newman on Online Distribution and Creative Licenses
- Building a Better Web-Based Book
C
- Capitalist Realism
- Casco Art Institute Working for the Commons
- Case for Copyright Reform
- Censorship Culture
- Center for Planetary Culture
- Centre for Postdigital Cultures
- Centros Sociales Auto-Gestionados
- Centup
- Chris Anderson on Free
- Christopher Kelty on Free Software as Culture
- Circular Entertainment
- Citizen Journalism
- Citizen Media
- Civil Society Information Society Advisory Council
- Clay Shirky on Emotional Social Media
- Clay Shirky on Lolcats and the Cognitive Surplus
- Clay Shirky on Open Culture and the Democratization of Media
- Clay Shirky on the Age of the Amateur
- Clay Shirky on the Social Media Revolution
- Clear Bits
- Clearance Culture
- Clip Kino
- Coalition for the Cultural Commons
- Collaborative Cultural Production
- Collaborative Culture vs Participatory Culture
- Collaborative Photojournalism
- Commonism as a New Aesthetics of the Real
- Commonplacing
- Commons Between Dreams and Reality
- Commons Culture Communications - 2013
- Commons State
- Commons-Based Ideas to Support Artists
- Communiqué on the Crisis Affecting the SGAE and Copyright
- Community VAT as Commons Taxation
- Community-Curated Works
- Community-Supported Culture
- Companies of the Commons
- Confronting the Challenges of Participatory Culture
- Connected Action for the Commons
- Consensus Web Filters
- Constitution of Intermittent Labor
- Constructing Commons in the Cultural Environment
- Consumer-Controlled Surveillance Culture
- Consumer-Generated Media
- Contemporary Internet
- Continental Drift
- Continuous Partial Attention
- Convergence Culture
- Convergence of Free and Slow Culture in Global Relocalisation
- Conversation with Michel Bauwens and Kevin Flanagan on P2P Urbanism and Culture
- Conversational Media
- Copyfarleft and Copyjustright
- Copyfight, Pirataria and Cultura Livre - BR
- Copyright Criminals
- Copyright, Fair Use, and the Cultural Commons
- Cory Ondrejka on User Generated Content at Second Life
- Craig Baldwin on Appropriating, Scratching and Decoding in Remix Culture
- Creative Anti-Commons
- Creative Commons Explained
- Creative Commons is to Free Culture what Shareware is to Free Software
- Creative Commons Music Resources
- Creative Destruction and Copyright Protection
- Creative Networks in Eastern Europe
- Creative Resistance Fund
- Creativity in Fashion and Digital Culture
- Criminalization of Sharing
- Crisis of the University and the Transformation of Labor
- Critical Analysis of Social Democratic and Critical Theories of the Intellectual Commons
- Critical Essays on the Enclosure of the Cultural Commons
- Critical Practice
- Crowd Curation
- Cultivo - Brazil
- Culturaeduca
- Cultural and Creative Spaces and Cities
- Cultural Appropriation
- Cultural Commons
- Cultural Commons Collecting Society
- Cultural Commons Project
- Cultural Complexity Index
- Cultural Coop
- Cultural Cooperatives
- Cultural Design
- Cultural Dimensions of Hierarchy and Power in the History of Civilizations
- Cultural Diversity
- Cultural Domination
- Cultural Evolution
- Cultural Evolution Approach
- Cultural Evolution Approach to Digital Media
- Cultural Evolution in the Digital Age
- Cultural Flatrate
- Cultural History of Humanity's Search for Meaning
- Cultural Labor
- Cultural Left
- Cultural Macroevolution
- Cultural Policy Should Support Organized Networks
- Cultural Techniques of Cognitive Capitalism
- Culture and Economy in the Age of Social Media
- Culture and the Economy in the Internet Age
- Culture Banking
- Culture Coin
- Culture Commons Quest Office
- Culture Design
- Culture Design Labs
- Culture of the Socioeconomy of Solidarity
- Culture War 2.0
- Cultures and Ethics of Sharing
- Curation Economy
- Currency of the Commons Transmediale 2011 Panel
- Customer-Built Network Infrastructures
- Customer-Controlled Networks
- Cyberlords as a Rentier Class
- Cyberpunk
- Cyborg Subjects
D
- Danah Boyd on Youth and Social Media
- Daniel Granados on the New Intermediary Cultural and Business Platforms in the Music Industry
- Daniel Pinchbeck et al. on the Transition to a New and Sustainable Planetary Culture
- Dark Side of Digital Culture
- Data Love
- David Edelstein on the Effect of Movie Review Aggregators on Film Appreciation
- Dean Jansen on Democratic Internet TV
- Death of Author 2.0
- Debora Spar on Technological Impacts on Culture
- Deceleration
- Decentralization of Taste
- Declaration of Urban Civic and Collective Use
- Declaration on Sustainable Models for Creativity in the Digital Age
- Deep Lab Book
- Definition of Free Cultural Works
- Democracy of Sound
- Derechos Digitales Chile
- Design for Cultural and Urban Commons
- Designing Regenerative Cultures
- Difference between the Free Software and Free Culture Movement