Category:Music: Difference between revisions
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This section will collate information where you can listen to Creative-Commons licensed music, and to the new 'participatory ways' of listening to music generally. | This section will collate information where you can listen to Creative-Commons licensed music, to the new [[Web 2.0]] inspired ways to augment the music experience with [[Collective Intelligence]] features, and to the new 'participatory ways' of listening to music generally. | ||
Only the first column of the Resources section has been ported so far. | Only the first column of the Resources section has been ported so far. | ||
See our entry on [[Music 2.0]] for a typology of new music sites. | |||
Revision as of 03:56, 10 January 2007
This section will collate information where you can listen to Creative-Commons licensed music, to the new Web 2.0 inspired ways to augment the music experience with Collective Intelligence features, and to the new 'participatory ways' of listening to music generally.
Only the first column of the Resources section has been ported so far.
See our entry on Music 2.0 for a typology of new music sites.
Pages in category "Music"
The following 200 pages are in this category, out of 255 total.
(previous page) (next page)A
- Alexandria
- Allen Bargfrede and Chris Bavitz on the Rethinking Music Conference
- Amacca
- Amarok
- Amiestreet
- Andres Monroy-Hernandez on Designing for Remixing
- Andrew Whelan on P2P's Impact on the Music Industry
- Apafunk
- Apafunk - BR
- Archive.org/Audio
- Are Netlabels Long Tail Niches or the Blueprint for the Future
- Art, Music and Literature in the Age of Digital Reproducibility
- ArtistShare
- Asynchronous Collaborative Music Recording
- Audio Lunchbox
- Audio Software
- Audio-Video Editing
- Audiofeast
- AudioXtract
- Aurora Mixer
- AVR Butterfly MP3
B
- BaixoGavea
- BaixoSom - BR
- Band Camp
- Bandcamp
- Beatpick
- Because Effect
- Bibliography of Remix Culture and Music
- Bitshares Music Blockchain
- Bittunes
- Blanket Licensing Deals
- Bleep
- Bob Osterdag on Why it is Better for Musicians to Share their Music
- Books on Internet Radio
- Brooklyn Raga Massive
- Business Models to Support Content Commons
C
- Calabash Music
- Cambalache/es
- Carl Wilson on how MP3's are changing the Sound of Music
- Carl Wilson on the Effect of MP3s on Music Making and Appreciation
- CASH Music
- CC Music from Aotearoa/ NZ
- Centro Cultural Mariamulata/es
- Coalition of Artists and Share Holders
- Collaborative Content Distribution
- Collaborative Filtering
- Common Content
- Commons Choir
- Commons-Based Ideas to Support Artists
- Community-Supported Music
- Craig Baldwin on Appropriating, Scratching and Decoding in Remix Culture
- Creative Commons Music Collaboration Project
- Creative Commons Music Resources
- Creative Destruction and Copyright Protection
- Crowdfunding
- Cubo Card
- Cybersounds
D
- Daniel Bruch Duarte on the Brazilian Fora do Eixo Solidarity Economics Business Model
- Daniel Granados on the New Intermediary Cultural and Business Platforms in the Music Industry
- Decentralization of Taste
- Democracy of Sound
- Digital Music License
- Digital Radio Developments
- Digital Rights Management
- Dijjer
- Dominant Assurance Contract
- Donor Pooling Model
- Dovetail
- Downhill Battle
- Downloading as Deviance
- DRM Free Music
- DRM Interoperability
- Dynamic Pricing
E
F
- Fair Music Initiative
- Fair Trade Music
- FairShare Speculative Donations
- Fan Funding
- Fan-Based Peer Production of Virtual Celebrities
- File Sharing and Copyright
- File-Sharing as Social Practice
- Filesharing Clubs
- Fora do Eixo
- Free Music Archive
- Free Music Public License
- Free Sheet Music
- Free Sheet Music License
- Fundacion Robo
- Future Of Music
G
H
I
J
- Jack Lerner on Music Sampling
- Jamendo
- Jane Siberry Sheeba Download Store
- Jason Sigal on the Free Music Archive
- Jeff Price on the Economics of the New Digital Music Industry
- Joanna Demers on Steal This Music
- Joe Raby interviews Limewire
- Johannes Kreidler on Distributed Technology and the Music It Creates
- Jonathan Coulton on Music Piracy
- Justin Frankel
- Justin Vernon
L
M
- Magnatune
- Marketing Music Through Non-Linear Communication
- Meeblip
- MetaBrainz Foundation
- Michael Carroll on Musicians in Copyright's Federated Domain
- Milkymist
- Mitigating Music Piracy by Cutting Out the Record Companies
- Mondomix
- Monome
- Moozar
- MP3Tunes
- Music 2.0
- Music 2.0 Directory
- Music 2.0 First Monday Podcasts
- Music Brainz
- Music Commons
- Music Genome Project
- Music IP
- Music Performance Trust Fund
- Music Piracy and the Remaking of American Copyright in the Twentieth Century
- Music Recommendation
- Music, Technology, and the Rise of Configurable Culture
- MusicBrainz
- Musopen
- MyBandStock
N
O
- Occupy The Music
- Occupy This Album
- OnClassical
- Online Music Collaboration
- Open Band
- Open Content and the Music Industry
- Open Design Guitar
- Open Guitar Business Models
- Open Music
- Open Music Archive
- Open Music Business Models
- Open Music Model
- Open Pandora Music Player
- Open Pipe
- Open Radio
- Open Sound Group
- Open Source Guitar
- Open Source Guitar Business Model
- Open Source Jukebox Firmware
- Open Source Monome
- Open Source Music Hardware
- Open Source Radio Station Management
- Open Source Record Label
- Open Source Supercapacitor-Powered Portable Speakers
- Open Tape
- Opsound