Arts and the Commons

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* Conference Proceedings: Free Libre Technologies, Arts and the Commons. University of Nicosia Research Foundation. An Unconference about Art, Design, Technology, Making, Cities and their Communities ; 30 May – 1 June 2019. Phygital Project, Nicosia, Cyprus

URL = https://www.academia.edu/43386127/Free_Libre_Technologies_Arts_and_the_Commons_Unconference_Proceedings_Phygital_Project?email_work_card=view-paper


Summary

This text introduces a reading of how community focused social arts pracces relate to ideas underpinning the free soware movement, the politics of the commons and maker cultures. It arises from the key concepts proposed by the Unconference Free/Libre Technologies, Arts and the Commons as well as the wider University of Nicosia Research Foundaon’s participation in the Phygital project (Phygital 2017-2020). Phygital is itself a play of words between the words physical and digital , and as a project it explores the processes of groups of people engaging in do-it-yourself (DIY) acvies through access to digital fabricaon tools in community centered makerspaces. In its Cypriot iteraon the project is informed by how commons orientatedcollecve hacking and making approaches relate to social art pracces, and will take a physical dimension in the form of a makerspace hosted in the premises of the Lakatamia Community Centre.

Drawing from the experience of the Unconference and what the people who were there allowed to develop this text invesgates the melding of free and open source technologies, social art pracces and the commons drawing from the research and acvies of the wider Phygital project in Cyprus. In addion, the noons of community and the commons are explored in order to consider the wider social context and theory that influenced both the rise of the social art method of pracce as well as the formaon of the free and open sourcesoware movement. Both in the Unconference and in these proceedings these threads are interwoven in order to reect on increasing debates around makerspace cultures and the politics of making, on the commons in times of digital realisms and boom-up collaborave structures, and on how we think of commoning pracces inrelaon to social art and free technologies."